Is it sacrilege to declare that the best-looking cinéma dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of light as sharp https://films26950.jaiblogs.com/59742804/le-plus-grand-guide-pour-jeux-vidéo